To add sheen, air, and presence I usually boost above 12kHz with a wide bandwidth. If a vocal is sounding too thin then I’ll create a boost in the low-end to add warmth and some weight. Honestly, I don’t use the MEQ-5 (midrange EQ) on vocals. So, make time to study how the bandwidth parameter works. Understanding how the bandwidth works will give you some really great sounding curves. However, with the Plutec EQs, that doesn’t seem to be a problem because the boosts sound really crisp and add a little bit of magic. With other EQ plugins, you may find that boosting the high frequencies is making the vocal sound harsh or too sibilant. Please make sure your computer supports this application.The Pultec EQs are great for adding warmth and shine to a vocal performance. All software purchases are final and not returnable. And Download instructions for the latest version of the software.
You will receive a Serial, Registration or Activation Code from us. This software is provided to you as an Electronics download. VST2 or VST3 compatible application (Cubase, Nuendo, Sequoia etc.).iLok2 / iLok3 required for 64-bit plug-in.Audio Units-compatible application (Logic, Digital Performer etc.).iLok2 / iLok3 required for AAX plug-ins.
Approved Pro Tools CPU, OS and hardware configuration.Pro Tools 10.3.8 and above – AAX Native.
iLok2 / iLok3 required with latest drivers This plug-in offers 2 activations for each product license you own.Īll licenses must be kept on the same iLok account, and each activation will allow you to authorize your Plug-In using either of the following methods: Engage the effect either by setting a level threshold or by using the unique onset detection feature for very precise transient processing.Flexible upwards/downwards compression and upwards/downwards expansion.A clear and informative GUI simplifies the often-complex workflows associated with multi-band dynamic plug-ins.Flexible per-band internal/external side chain controls.Each band can process and/or detect from mono, stereo, mid or side channels.All bands can overlap fluidly without the static phase distortion or low frequency artifacts associated with multi-band compressors.
Then the Oxford Dynamic EQ is the tool you need, providing just the required amount of processing when you need it and takes little time to set up. Have you tried to control boomy or harsh frequencies using a traditional static EQ but found you compromised the integrity of the original recording? Then found that writing automation lost you precious time and sounded unnatural? Perhaps you’ve heard that a multiband compressor is the answer but it left you scratching your head?